SYLLABUS FOR E301 INTRO TO LITERARY THEORY AND CRITICISM, CHAPMAN U SPRING 2009 (10/25/10)
Course Information. English 301. T/Th. 11:30-12:45 p.m. Location: Beckman (BK) 104. Instructor: Alfred J. Drake, Ph.D. Office hours: T/Th. 10-11:15 a.m. in Cyber Cafe (Beckman). email@example.com. Catalog: "ENG 301 Introduction to Literary Theory and Criticism. Prerequisite, Written Inquiry. This course examines the major trends, theories, interpretative methodologies, and techniques of literary criticism and cultural studies. ENG 301 is the gateway course for the literature emphasis in the English major. It must be taken prior to or concurrent with all 300- or 400-level literature courses. (Concurrent enrollment requires permission of advisor.) Offered every semester. 3 credits."
Required Texts at the Chapman U Bookstore
Leitch, Vincent B., ed. The Norton Anthology of Theory and Criticism. 1st. ed. New York: Norton, 2001. ISBN-13: 978-0393974294.
McDonald, Russ, ed. Shakespeare: An Anthology of Criticism and Theory 1945-2000. Malden, MA/Oxford, UK: Blackwell, 2004. ISBN-13: 978-0631234883.
Shakespeare, William. King Lear. (Folger Shakespeare Library.) Washington Square Press, 2004. ISBN-13: 978-0743482769.
Shakespeare, William. Othello. (Folger Shakespeare Library.) Washington Square Press, 2004. ISBN-13: 978-0743482820.
Shakespeare, William. The Tempest. (Folger Shakespeare Library.) Washington Square Press, 2004. ISBN-13: 978-0743482837.
OPTIONAL RESOURCES TO HELP YOU DO WELL
COURSE RATIONALE AND PLAN
Course Objectives. This course will cover selected texts in modern literary theory and criticism, beginning with a few indispensable works in the western philosophical tradition that grounded later thinking about literature and the arts and then moving on to modern criticism and theory themselves. We will also read and discuss a small number of Shakespeare's plays along with some essays illustrating the critical approaches taken towards those plays. All in all, the course should introduce students to the history of literary theory and provide "hands on" experience in negotiating the critical approaches available in the study of actual literary works.
Course Policies. Please review early in the semester.
HOW YOUR PERFORMANCE WILL BE EVALUATED
Presentations Requirement: Link to Full Instructions. At the beginning of the course, students will sign up for two or three (depending on class size) three-to-five-minute in-class presentations on authors of their choosing (if possible). I will provide presenters with specific questions to address (from among those on the author questions pages) and within a few days after sign-up I will post a schedule on the Presentations page. Each session will feature several presentations. Required: Several days before you present, email me as full a draft as possible of what you intend to say in class. I will email you back with advice. I will post your original draft to the students' blog for this course, but if in my comments I suggested developing the remarks further, you should also send me a revised version within one week after your in-class presentation so that I can post the new version. Other students may, if they wish, access the written entries as they're added by visiting the appropriately named link on the Course Blogs Index Page. 20% of course grade.
Journals Requirement: Link to Full Instructions. Responses to a choice of questions from the study questions page for each author. Three separate journal sets due by email as specified below in reading schedule. Electronic format required. (30%)
Term Paper Requirement: Link to Full Instructions. By the end of Week 13, a one-paragraph description addressing the topic and argument of the projected paper will be due by email. (Full rough drafts are also encouraged.) Not providing this description on time may affect the final draft grade. Please read the term paper instructions carefully since they contain the general prompt, suggested topics, and advance draft comments. I reserve the right to require proof of the final paper's authenticity, such as notes or an early draft. Final draft (5-7 pages) due as specified towards the bottom of the syllabus page. Follow MLA (Modern Language Association) guidelines. See Chapman Library. See Resources/Guides/Writing Guides: MLA, Grammar, Deductive, Citing, Analyzing, and Editing. (30%)
Final Exam Requirement: Link to Full Instructions. The exam will consist of substantive id passages, mix-and-match questions (match phrase or concept x to author/text y), and essay and/or short-essay questions. There will be more choices than required responses. Books and notes allowed for all sections, but no laptops. Exam date: see below. (20%)
Emailing Journals/Paper/Presentations to e301 at ajdrake.com. Email journals, presentations, and term paper as attachments. Don't send more than one document in the same email. Label subject lines appropriately: "E301 Journal 1, Jane Smith" etc. You can paste journal sets into a regular email or send them as an attachment. (Journal "sets" include responses to questions about several authors; do not send entries on each author in a given set separately -- responses on the relevant authors should be combined into one document.) Contact me if you don't receive an email confirmation within approximately three days.
STUDY QUESTIONS FOR JOURNALS AND PRESENTATIONS
Plato | Aristotle | Horace | Johnson | Kant | Hegel | Marx and Engels | Nietzsche | Freud | Ransom | Brooks | Empson | de Beauvoir | Greene | Sprengnether | Kott | Keast | Cavell | Williams | Foucault | Dollimore | Said | Skura | Barker and Hulme | King Lear | Othello | The Tempest.
SESSION SCHEDULE: FOLLOWING WORKS DISCUSSED ON DATES INDICATED
Tu. 02/03. Course introduction.
Th. 02/05. Introduction to Basic Critical Orientations.
Tu. 02/10. Plato's Ion (37-48 Leitch).
Th. 02/12. From Plato's Republic Books II, III, VII, X (49-81 Leitch).
Tu. 02/17. Aristotle's Poetics (86-117 Leitch).
Th. 02/19. Aristotle's Poetics (86-117 Leitch).
Tu. 02/24. Horace's Ars Poetica (121-35 Leitch).
Th. 02/26. Samuel Johnson. The Rambler, No. 4 "On Fiction" (458-66); from Rasselas (466-68); "Preface to Shakespeare" (468-80). Journal Set 1 Due by Email by Sunday, 03/01
Tu. 03/03. Immanuel Kant. From Critique of Judgment Book I: "Analytic of the Beautiful." (499-518 Leitch).
Th. 03/05. Immanuel Kant. From Critique of Judgment Book II: "Analytic of the Sublime" (519-36 Leitch).
Tu. 03/10. Hegel's "Master-Slave Dialectic" from The Phenomenology of Mind (626-36 Leitch).
Th. 03/12. Karl Marx and Friedrich Engels. From Economic and Philosophic Manuscripts of 1844 (759-67 Leitch); from The German Ideology (767-69 Leitch); from Grundrisse (773-74 Leitch); from "Preface" to A Contribution... (774-76 Leitch).
Tu. 03/17. Friedrich Nietzsche. "On Truth and Lying in a Non-Moral Sense" (870-884 Leitch).
Th. 03/19. Sigmund Freud. From The Interpretation of Dreams (919-29 Leitch).
Tu. 03/24. John Crowe Ransom. "Criticism, Inc" (Sections 1, 4 and 5 only: 1108-09, 1115-18 Leitch). Cleanth Brooks. "The Heresy of Paraphrase" from The Well Wrought Urn (1353-65 Leitch).
Th. 03/26. William Empson. "'Honest' in Othello" (35-49 McDonald).
Tu. 03/31. Simone de Beauvoir. From The Second Sex (1403-14 Leitch).
Th. 04/02. Gayle Greene. "This that you call love": Sexual and Social Tragedy" (655-68 McDonald) and Madelon Gohlke Sprengnether. "'I wooed thee with my sword': Shakespeare's Tragic Paradigms" (591-605 McDonald). Journal Set 2 Due by Email by Sunday, 04/05
Tu. 04/07. Spring Break: no classes.
Th. 04/09. Spring Break: no classes.
Tu. 04/14. Jan Kott. "King Lear or Endgame" (174-190 McDonald).
Th. 04/16. William R. Keast. "The 'New Criticism' and King Lear" (63-87 McDonald).
Tu. 04/21. Stanley Cavell. "The Avoidance of Love: A Reading of King Lear" (338-52 McDonald).
Th. 04/23. Raymond Williams. From "Marxism and Literature" (1565-75 Leitch).
Tu. 04/28. Michel Foucault. "What is an Author?" (1622-36 Leitch); from "Truth and Power" (1667-70 Leitch).
Th. 04/30. Jonathan Dollimore. "King Lear (ca. 1605-06) and Essentialist Humanism" (535-46 McDonald). Paragraph on paper topic and argument due by Sunday, 05/03.
Tu. 05/05. Film of The Tempest.
Th. 05/07. Edward Said. From Orientalism (1986-2012 Leitch).
Tu. 05/12. Meredith Anne Skura. "Discourse and the Individual: The Case of Colonialism in The Tempest" (817-44 McDonald).
Th. 05/14. Francis Barker and Peter Hulme. "Nymphs and Reapers Heavily Vanish: the Discursive Con-texts of The Tempest" (781-93 McDonald).
Final Exam Date: Monday, May 18 1:30-4:00. Due by Monday, May 25th: Term Paper and Journal Set 3. I must turn in grades by Sunday, May 31st. For your other courses, check the Spring 2009 Chapman Final Exam Schedule.