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History: E300_Etext_Wordsworth_Spr_13

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- KEY EXCERPTS FROM WILLIAM WORDSWORTH'S "PREFACE TO LYRICAL BALLADS"
+ ~hc~Course Materials for English 300 Analysis of Literary Forms, Spring 2013, Instructor Alfred J. Drake, Ph.D. at California State University, Fullerton, Irvine Campus~/hc~<h3>^-=WORDSWORTH'S PREFACE FOR E300 ANALYSIS OF LITERARY FORMS, CSU FULLERTON Spring 2013 (3/8/13)=-^</h3>{img src="img/wiki_up/title_300_large.gif"}<b>[mailto:e300@ajdrake.com|Email] | ((E300_Requirements_Spr_13|Home)) | ((E300_Syllabus_Spr_13|Syllabus)) | ((E300_Policies_Spr_13|Policies)) | ((E300_Journals_Spr_13|Journals)) | ((E300_Paper_Spr_13|Paper)) | ((E300_Exam_Spr_13|Exam Prep)) | ((Blogs_Indices|Blogs)) | ((E300_Audio_Spr_13|Audio)) | [http://www.ajdrake.com/wiki/tiki-list_file_gallery.php|Guides] [http://www.ajdrake.com/wiki/tiki-directory_browse.php|Links] | [http://www.fullerton.edu/irvinecampus/|CSUF Irvine Campus] | [http://www.library.fullerton.edu/|CSUF Library] | [http://www.fullerton.edu/catalog/|CSUF Catalog] | [http://myweb.fullerton.edu/AcademicCalendar/|CSUF Calendar] | [http://www.fullerton.edu/admissions/CurrentStudent/FinalExaminations.asp|CSUF Exam Schedule]</b><h3 align="center"><b>KEY EXCERPTS FROM WILLIAM WORDSWORTH'S "PREFACE TO LYRICAL BALLADS"</b></h3>
The First Volume of these Poems has already been submitted to general perusal. It was published, as an experiment which, I hoped, might be of some use to ascertain, how far, by fitting to metrical arrangement a selection of the real language of men in a state of vivid sensation, that sort of pleasure and that quantity of pleasure may be imparted, which a Poet may rationally endeavour to impart.

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I have said that Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity: the emotion is contemplated till by a species of reaction the tranquillity gradually disappears, and an emotion, similar to that which was before the subject of contemplation, is gradually produced, and does itself actually exist in the mind. In this mood successful composition generally begins, and in a mood similar to this it is carried on; but the emotion, of whatever kind and in whatever degree, from various causes is qualified by various pleasures, so that in describing any passions whatsoever, which are voluntarily described, the mind will upon the whole be in a state of enjoyment. Now if Nature be thus cautious in preserving in a state of enjoyment a being thus employed, the Poet ought to profit by the lesson thus held forth to him, and ought especially to take care, that whatever passions he communicates to his Reader, those passions, if his Reader's mind be sound and vigorous, should always be accompanied with an overbalance of pleasure. Now the music of harmonious metrical language, the sense of difficulty overcome, and the blind association of pleasure which has been previously received from works of rhyme or metre of the same or similar construction, all these imperceptibly make up a complex feeling of delight, which is of the most important use in tempering the painful feeling which will always be found intermingled with powerful descriptions of the deeper passions.
- [This is a public domain text.]
+ This is a public domain text.


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